It’s a new slice of African American life, with basketball as a backdrop.

It’s refreshing in that it’s part of that new movement in black films, looking at the middle class, both the kids come from two-parent household, so it’s not against all odds, or basketball or die.

sanaa lathan dating omar epps-82

I was a jock growing up in Oklahoma, and one of the things I think is wonderful about sports for women, especially young girls is that once you realize your physical strength, your quickness and your ability to reason on the move, nothing that society is saying to you can hold you back.”Sourcewhat made him take the role.

“Then I saw the emphasis was going to be on the father-son relationship.

And for me, the major draw was that the girl got to have her cake and eat it too. With a lot of films, I can see why someone from a certain area might not want to check it out, but this one, with the love dynamic and the relationships among the family members, has a lot to offer.

Well, it really is about the girl, about Sanaa’s character Monica. I think it’s important, especially for black cinema, because we don’t get to see too often the father and son bonded beyond biological circumstances: this father raised his kid, living in the house with the mother. To me it’s not a surprise, it’s just a process of events.

was the bridging of two seemingly unrelated worlds, athletics and love.

But the story came together seamlessly, with the help of the talented Sanaa Lathan and Omar Epps.It was a script, Epps recalls that spoke volumes to him.“When I first read it, it jumped off the page at me.He ultimately got what he NEEDED, but this time round, it’s the woman who gets her cake and eats it.That’s a rare thing in movies.”Sourcemagazine: “I loved the way it moved and loved what it was about.The eyes never lie Omar Epps has his hotel bed pillows on the sofa, so he can lean into them while he talks to you.